Belfast Confetti’by Ciaran Carson describes a speaker watching the live scene after the riot between the shipyard workers, who were the Protestants, and the Catholics. Note the shift from past to present tense that occurs in the second stanza. This has the effect of strengthening the reader’s connection with the narrator and making his thoughts seem more pivotal. Metaphors and extended metaphors are the two most important language techniques used in this poem. The metaphoric language used in this poem, portrays every single effect of violence, on the heart of the poet. The poet has also used the present tense to portray a live scene of what he went through during the time he witnessed the violence. He has used this tense to describe his experience and the aftermath of the riot.

9-1 conflict poetry comparisons - The Student Room edexcel 9-1 conflict poetry comparisons - The Student Room

In the 1970’s the Irish nationalist groups started to use violence in an attempt to gain independence from Britain. The British army occupied the streets of Northern Ireland to protect the Catholics. However, they saw it as an unwanted occupation. Ireland, 2002 by Paul Durcan – In this poem, readers can find the themes of change, progress, and Irish identity. Explore more poems of Paul Durcan. The hidden meaning behind his words means that even if he has escaped the riot and survived, he will never be able to get rid of the sight that he witnessed; the violent scene is going to haunt his memories forever. Easter, 1916 by William Butler Yeats– It’s another poem that describes the Easter Rising from the history of Ireland. This poem is regarded as one of the popular poems of W.B. Yeats. Explore more poems from W.B. Yeats.He has survived and there is absolutely no doubt about how tough his survival was, from the riot. However, he is still not able to forget the haunting scenes. He has seen everything with his own eyes and heard the fearful screams of those, who lost their lives to the hands of merciless troops. Carson wanted to be there with the ones, who were being discriminated against without any reason; he wanted to help them, but he simply couldn’t, because the scene and the terror had frightened him as much as it had frightened them. This poem is about the conflict between the Catholics and Protestants, known as The Troubles, when in the 1960’s the Catholic community claimed they were being discriminated against by the Protestants. Summer 1969 by Seamus Heaney– It’s one of the best-known Seamus Heaney poems. This poem was written during the Ulster riots of 1969 and explores the theme of conflict. Read more Seamus Heaney poems.

Writing a response - Belfast Confetti - CCEA - GCSE English Writing a response - Belfast Confetti - CCEA - GCSE English

Carson has used the first-person narrative style to describe his feelings in the most efficient way. It is a free verse poem.The following poems similarly showcase the themes included in Ciaran Carson’s haunting lyric ‘Belfast Confetti’. This poem is about the aftermath of the “Troubles” that were an ethnic-nationalist period of conflict in Northern Ireland. The situation lasted for 30 years from the late 1960s to the late 1990s. It is also known as the Northern Ireland conflict. The poet describes the aftermath of the sectarian riot in Belfast. His speaker describes how the confusion outside leads to a chain of internal confusions. He cannot think properly. The events that he observed keep flooding his mind, leaving him only with questions. Carson has adopted a narrative style in this poem ‘Belfast Confetti’ to depict an entire scene to the readers. They can feel the horrifying scene just like it is depicted by the poet. By reading this poem, one can easily understand the pain that the scene and the riot must have caused to the poet. The allegory of using punctuation to symbolises the horrors of the riot continues here. Carson identifies how full ‘stops’ and ‘colons’ act like a barrier between two sentences or clauses in literature and transfers this to barriers, likely scattered debris, to the riot-torn streets. Outside History by Eavan Boland – This poem speaks on the larger history of Ireland, the role of women in history, and the life of stars. Read more Eavan Boland poems.

Belfast Confetti Poem Summary and Analysis | LitCharts

To signify the war-like brutality of the riot, Carson includes a list of things synonymous with war – at first look we can see how the ‘shield’ and ‘walkie-talkies’ fit here. However, diving deeper ‘A Saracen’ is a word used by Christians in the medieval ages for Muslims. In these times conflict between both religious groups was harsh and frequent – hence, the violent connotations which Carson captures.The fourth line, “I was trying to complete a sentence in my head, but it kept stuttering” means that the speaker finds it difficult to depict in words the terror that his eyes witnessed. He tried finding an escape, but he couldn’t. Carson uses enjambment to internally connect the last two lines. After referring to those things, he feels quite tense. The way he speaks reveals the growing tension in his mind. He cannot even remember his name or where he lives. The situation was so worse that none could say where they were heading towards. In the last line, the phrase “A fusillade of question-marks” depicts the questions raised by the innocent eyes of the Catholics that were slaughtered by the merciless nationalist groups. Carson has used past tense to describe the violence held against the Catholic crowd in the place. He has used the same tense to portray the different effects of being in the middle of the conflict.

Form and structure - Belfast Confetti - CCEA - BBC

Carson’s speaker describes the war-like situation in the second line. The speaker can imagine a found of broken images floating in his mind and hear the sound of the explosion. In this line, the phrase, “Nuts, bolts, nails, car-keys” hints at the scrap metals used as weapons by the Protestants during the “Troubles” in Ireland. Besides, he asks, “Why can’t I escape.” It means the helplessness in the heart of the poet. Even though he wishes to leave and even though he knows that he has survived, he is unable to get rid of his helplessness about being unable to help those who lost their lives in the riot. He has witnessed the death of several people right in front of his eyes, due to which he just can’t forget the violent memories. The poem ‘Belfast Confetti,’ one of the best-known poems of Ciaran Carson, pulls the reader into the aftermath of Belfast’s sectarian riot. He has used punctuationto symbolize missiles that Protestants used during this riot, which was against the Catholic crowd in Belfast. In the eighth line, the speaker speaks incoherently. Firstly, he refers to the Saracen tanks and the metal netting used over the tanks that are known as the Kremlin-2 mesh. The police used those things to control the riot. They used “Makrolon face-shields” while the mob only had nuts, bolts, nails, and car keys. To communicate among themselves they used Walkie-talkies. The narrator’s inability to ‘complete a sentence in [his] head’ is a metaphor for the chaos and irrationality of the riot and the disorientating effect this is having on his composure. The word ‘stuttering’ reinforces this idea, whilst conveying the harsh sounds of the battlefield (links to ‘rapid fire’) as it is onomatopoeic for machine gun fire.

Ciaran Carson is a poet and novelist who was born in Northern Ireland and has always had a deep passion for politics. He grew up in an era of political uproar and Northern Irish terrorism that scarred the Uk’s political and social life. Around the 1970’s the IRA (Irish Republican Army) failed to retrieve independence from British rule. The rhetorical question creates a tone of desperation. The short, heavily punctuated, sentences, once again, give a choppy quality to the narrative. Now, this choppiness seems to signify the distress and his desperation to escape the riot. To understand this language we must reflect on the asterisk and its uses. It is used to mark significance in a piece of text. Carson relates this idea of significance to an ‘explosion’. Carson creatively comments on the caesura of this line here as well – saying that the hyphen gives the spoken narrative a choppiness just like a ‘burst f rapid [machine gun] fire’. The poem begins in media res with the riot squad moving in. The effect is to plunge the reader immediately into the terror and violence of the riot. The allegory of Carson using punctuation to portray the violence begins as he describes it as ‘raining exclamation marks’.