Godox AD200 Pro Version, 200Ws 2.4G Flash Strobe, 1/8000 HSS, 500 Full Power Flashes, 0.01-2.1s Recycling, 2900mAh Battery, Bare Bulb/Speedlite Fresnel Flash Head

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Godox AD200 Pro Version, 200Ws 2.4G Flash Strobe, 1/8000 HSS, 500 Full Power Flashes, 0.01-2.1s Recycling, 2900mAh Battery, Bare Bulb/Speedlite Fresnel Flash Head

Godox AD200 Pro Version, 200Ws 2.4G Flash Strobe, 1/8000 HSS, 500 Full Power Flashes, 0.01-2.1s Recycling, 2900mAh Battery, Bare Bulb/Speedlite Fresnel Flash Head

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Description

The Godox AD200Pro flash may be the perfect flash for photography. With its powerful 200Ws of power, robust build quality, and versatility, the Godox AD200 Pro offers unparalleled lighting performance in a compact form.

The manual flash mode lets you choose the specific power output. Manual flash provides consistent power to your light from one shot to the next until you make a power adjustment. This mode also allows control of the modeling map, front curtain sync or rear curtain sync Pre-AD200. I was using the Godox AD360. This was a popular flash amongst wedding photographers. However, the was external bare bulb flash only. This meant I had to use a light modifier and usually large one like a softbox or beauty dish. In the field it wasn’t always the most practical solution. It was also quite an intimidating set up to hand to a bridesmaid or best man if you needed help during a wedding. The modeling lamp is sufficient for my product photography, but it’s not as strong as the modeling lamp on a strobe. Although the Godox AD200Pro includes a wireless radio receiver, it doesn’t come with a transmitter.

Godox AD200 Review | Pros

Flash power can now be controlled by 1/10 increments and minimum power is now 1/256 rather than 1/128 on the original Godox AD200.

The Godox AD200 Pro supports flash exposure compensation in 1/3 stop increments. If you’re using TTL mode, flash exposure compensation allows you to increase or decrease the light output to get the correct flash exposure. 12: Multiple Flash Mode Options Even with the introduction of the Godox AD300 which are much more like the Profoto B10's, I am not remotely tempted to switch. The fact they fit neatly into my camera bag. Slip into my think tank pouch so I can carry one on my hip when I am walking to take photos. It’s just perfect for a wedding photographer on the move. The AD200 Pro offers up to 200Ws of power, three times more powerful than a typical on-camera flash. As always, the aim of this review isn’t going to be full of stats and shooting test objects. I will be focussing on what I’ve found to be important (and what’s not) from using it as a busy wedding photographer in Derby& Nottingham over the past few years. Three years on and competitors have tried to copy the AD200. The Yongnuo YN200 and the Geekoto GT-200 are two that spring to mind. But in my opinion, none are really challenging the Godox AD200. The Technical StuffThe AD series is not to be confused with a traditional speedlite unit that can be mounted on a camera hotshoe. It has no hotshoe connection, so must be controlled either via sync cable (3.5mm or USB wireless control port) or (better option) Godox’s 2.4ghz Wireless-X system. This comes either through a master flash unit (like the V1 unit I recently reviewed) or via a wireless flash trigger (I use the X-Pro). You can change groups by pressing the GR/CH button and change to a different channel by holding down the same button for two seconds then using the dial to choose which channel you would like.

Here is why I can’t live without the Godox AD200, now that I have had it in my possession for a full year: I no longer take the bare bulb head out to weddings with me. The only times I’ve used it in the last two years were for commercial headshots where I can put the barebulb head into a softbox. And more recently for a destination wedding where I opted to take the AD-S7 softbox due to its small, portable size. The main addition is colour stability mode which keeps the colour temperature within 100 Kelvin. This is not really an issue wedding photographers will care about but if you are a studio/commercial photographer then this could be a feature you want to pay for.

Godox AD200 Product Shots

Using an optional wireless transmitter, the built-in wireless system is the most common method to fire the flash. You can wirelessly control TTL functions 8: Consistent Color Throughout the Entire Power Range Photographers have a love/hate relationship with beeping flashes. You can easily turn off the beep with a couple of settings. Press the C/fn button on the top right corner to bring up the function menu.

It’s powerful enough to compete with studio flashes and doesn’t require a power cable that may trip you as you move around the studio. If you are mounting AD200's on a light stand. Then my strong advice is to either have someone hold it or use a weight like a sandbag to stop the stand from toppling over. Related Reading: Godox AD200 Review | One Year and 75 Weddings Later Problem: More Realistic Lighting Setups

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The rear LCD screen is on the bottom of the flash. It's small but functional and the buttons are logically placed. The buttons and dial feel nice and responsive. Let me tell you why this is the perfect choice for professional photographers and amateur enthusiasts who want a better portable flash experience. What Are the Key Features of the Godox AD200 Pro? Looking for tutorials utilizing the AD200 in action? We’ve rounded up our favorite articles and lighting courses that feature this light. It’s hard to think that my original Godox AD200 review is already three years old. So I thought it was about time update my review and let you know how my experience has been. Have my feelings changed over time? Has the AD200 stood up to the demands of professional use?



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