Oklahoma! [DVD]

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I must say that as a fan of the Rodgers and Hammerstein movie musicals, I've always had a soft spot in my heart for Gordon MacRae and Shirley Jones in the screen versions of OKLAHOMA and CAROUSEL. MacRae had a fine baritone voice and Jones a clear, sweet soprano. Stream It Or Skip It: 'A Nearly Normal Family' On Netflix, Where A Family's Secrets Come Out When The Daughter Is Accused Of Murder This avoids all that, by reimagining one of the old horses in a new mold. Apparently, it was quite an effort because the "Foundation" that has a stranglehold over how the material is used had to negotiate every nit. This idea that some survivors of an artist should benefit from something they had no hand in is vile enough; that they can smother its very artistic soul by legal means is worse. The expansive, dream-like sets are by Anthony Ward, who also designed the costumes. David Hersey is lighting designer, with John Owen Edwards as musical director. The original orchestrations are by Robert Russell Bennett, with additional orchestrations by William David Brohn and new dance music arranged by David Krane. Unfortunately it proves a near-impossible task. While lighting, sound and vision are technically first-rate, considering the time limits imposed upon the crews (18 days of shooting time!), overall the film never delivers the excitement and raw energy of the stage production, and to be honest, it should never have tried to. It feels artificial and looks second-best. The audience reaction shots are intrusive and irritating instead of convincing, and who allowed them to turn up in t-shirts and jeans? It's obvious they' re only there for the filming, and the camera should have left them in the dark and concentrated on the action onstage.

Jenna Bush Hager Reveals To Hoda Kotb That Her Daughter Asked Her Husband Why He Was "Lying" When He Said She "Never Looked Better" The creative team includes set and costume designer Anthony Ward, lighting designer David Hersey, music director John Owen Edwards and orchestrator Robert Russell Bennett, with additional orchestrations by William David Brohn and new dance music arranged by David Krane. Directed by Sir Trevor Nunn and choreographed by Susan Stroman, the acclaimed Royal National Theatre production from 1998 reveals the work’s emotional complexity with a fresh approach. The production was filmed at Shepperton Studios in London just before its move from the RNT to the West End. The special encore telecast is presented for the first time in high definition. Based on Lynn Riggs' Green Grow the Lilacs, Oklahoma!features music by Richard Rodgers andlyrics and a libretto by Oscar Hammerstein II. The classic score includes “Oh, What a Beautiful Mornin’,” “The Surrey with the Fringe on Top,” “People Will Say We’re in Love,” and the title tune.

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Available until the end of the weekend via this link (it's a bit hit-and-miss via mobile, we've found), the piece also stars Peter Polycarpou and Maureen Lipman, with direction by Trevor Nunn and choreography by Susan Stroman. In a statement to People magazine, the couple said: “We have been blessed to share almost three decades together as husband and wife in a wonderful, loving marriage. Our journey now is shifting and we have decided to separate to pursue our individual growth. Dolly Parton And Drew Bond Over Posing For Playboy On 'The Drew Barrymore Show': "I Have On Less Clothes Than You" Stream It Or Skip It: ‘The Velveteen Rabbit’ on Apple TV+, a Charming and Typically Tearjerking Adaptation of the Classic Children's Book The costumes and sets here are grittier and more evocative than the film, however still with colour and it's still appealing on the eye. The production is well photographed as well, it's never too stage-bound but at the same time it's not too cinematic. For a filmed performance of an opera or musical that is the right approach. Its style and how Trevor Nunn directed did remind me somewhat of Nunn's production of Porgy and Bess, considering how great that is this is very high praise.

Mrs. Doubtfire’ Fans Psyched For A Potential Documentary Featuring The Late Robin Williams’ “Special And Magical” Improv Process Trafalgar Releasing, in partnership with Concord Originals and The Rodgers & Hammerstein Organization, present the screenings, coinciding with the 80th anniversary of the musical's groundbreaking 1943 premiere.

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Oklahoma! was one of the first of many revivals of classic American musicals that Nunn produced as the then-artistic director of the National Theatre. The mounting was praised as a fresh rethinking of a classic; the interpretation's major shift with the past involved Stroman's choreography. Stroman was hired with the understanding that she would redesign the famed Act One ballet sequence from the ground up, eschewing Agnes DeMille's famous work. In Stroman and Nunn's conception, the actors danced in the show's dream ballets, a break with the tradition of when a "Dream Laurey" and "Dream Curly" would be cast.

Joy Behar Calls On Will Smith To "Get In The Ring" With Jada Pinkett Smith On 'The View': "He Sits There And Takes It" Southern Charm' Star Olivia Flowers Shades 'RHOBH' Star Crystal Kung Minkoff After BravoCon: "I Thought She Was Rude" Stream It or Skip It: ‘Faraway Downs’ on Hulu, A Laudable Expansion of Baz Luhrmann’s ‘Australia’ That Tries To Repair The Sins Of The Past Who Was Emily Roebling? All About 'The Gilded Age's Look at the Secret History of the Brooklyn Bridge I have never seen the old version of "Oklahoma" but I know a pretty good bit about it. I saw "Oklahoma" put on by a church in my town when I was about six, but I don't remember much about it.Anyway, what we have here is stage presentation reimagined for modern tastes. That means solving the integration of the songworld and the stageworld. The extras explain how this was nurtured, essentially by honing the show by forcing the actors to speak the lines. There's some clever thinking about the dances along the same lines.

As Aunt Eller, Maureen Lipman is tough, wry, funny, touching, wise -hers is the most captivating performance of Eller one can imagine. She is perfect. Chris Evans' Dog Adorably Interrupts His Interview With 'The View': "He Needs To Be The Center Of Attention" The filming of Trevor Nunn's production of Rodgers and Hammerstein's Oklahoma! took place during the move from the Royal National Theatre to the Lyceum Theatre in January 1999. The action was shot at the Shepperton Studios and directors Trevor Nunn and Chris Hunt have tried their hardest to give the tv film the feel of the live performance that so enchanted London audiences during the show's first run at RNT, while also using close-ups to provide extra emotional insights on characters.

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Many people don't know that the 1955 film of Oklahoma! Was made twice. It was shot once for the cinemascope screen and once for the beautiful Todd AO. Format. The latter format has only come to light in the last 30 years or so , but it is the definitive version of Oklahoma!, so treat yourself to that version, if you can find it. Beyoncé Gave The Beyhive A Little Something To Be Thankful For With A “First Look” At ‘Renaissance' During Macy's Thanksgiving Day Parade In 1943, "Oklahoma!" debuted on Broadway, and in doing so reinvented music theater. Roughly fifty-five years later, Trevor Nunn reinvented "Oklahoma!". The result is something very rare indeed: a production that not only captures the original appeal of its source, but also brings new facets and dimentions to a familiar work. Stream It Or Skip It: ‘Leo’ on Netflix, in Which Adam Sandler Voices a Lizard Who's Also a Child Psychologist BroadwayHD is an online streaming platform that allows users to watch the likes of Kinky Boots, 42nd Street and more. It has annual and monthly passes (and a week-long trial), with more information available here.