Chrysalis

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A masterclass in character, Chrysalis is an unsettling and brilliant portrait - not just of a woman in transformation or of those who fall into her orbit, but also of a world defined simultaneously by our isolation and by our longing to connect. This is a sharply-wrought, surprisingly tender book about how our internal changes create external change... often in ways we didn't intend -- Jen Silverman, author of We Play Ourselves

The following is from Anna Metcalfe's Chrysalis . Metcalfe was born in Germany. Her short fiction has been published in The Best British Short Stories, The Dublin Review, and Lighthouse Journal, among other places, and has been shortlisted for the Bridport Short Story Prize and the Sunday Times Short Story Award. She is the author of a story collection, Blind Water Pass, which was published in the UK. She teaches creative writing at the University of Birmingham. Chrysalis is her first novel. Incredibly smart and totally unique... ranging from online obsession, to mothers and daughters, to the very nature of selfhood, the whole thing is strange and warm and, crucially, very funny... I savoured every last brilliant sentence' - Ruth Gilligan One of the beauties of Chrysalis: the story isn't only about Nicola but the ways Nicola impacts the lives of those around her, particularly the novel's three narrators. Walking to the gym, I felt queasy, worse than if I hadn’t eaten anything. I paced up and down the car park. I took deep breaths and my stomach growled. When I got to reception, there was a new kid on the desk.WOW. I just devoured this. What a wonderful, painful, funny novel... it's so beautiful and cruel, and summed up just perfectly by the ending - a flawless final sentence, one of the best I've ever read, it absolutely gave me chills' - Avni Doshi Taking on questions of femininity and expectation, as well as social media and its ability to make a cult leader of anyone, Chrysalis raises as many questions as it answers about our society and our place within it.” — Lit Hub, Most Anticipated Books of 2023 Perceptive.... [An] intriguing exercise in narrative.... Metcalfe clearly has her finger on the pulse of internet culture and its habitués * Publishers Weekly * WOW. I just devoured this. What a wonderful, painful, funny novel... It's so beautiful and cruel, and summed up just perfectly by the ending - a flawless final sentence, one of the best I've ever read, it absolutely gave me chills -- Avni Doshi

Things have changed a lot since that first day. She's kind of famous. Or at least, she has a lot of followers online. People admire her authenticity, her focus and determination. They say the way she holds her body is a kind of truth.” This story is a bit of an odd one - the central plot follows an unnamed woman who becomes an online wellness cult leader and is told through the perspectives of three outsiders, which is an interesting conceit as, by nature, all three of the narrators paint incomplete and unreliable pictures of the protagonist. My main gripe is with the writing style - the protagonist being unnamed is so unnecessary and makes it annoying to read as the narrators constantly refer to "she" and "her" - it comes across as a lazy way to make the character seem more mysterious. I also could have done without a lot of the superfluous details (especially from the first narrator) - I skimmed over a lot of mundane text. By far the strongest was the second narrator, the protagonist's mother, as the third narrator hardly appeared to have any point of view at all.An] eerily cool debut... in its acute examination of voyeurism, image and the deceptive nature of connection, [it] feels tailor-made for the age of the internet * Daily Mail * I thought a lot about the necessity of performing some sort of victimhood in the face of trauma [in] a way that makes their trauma legible to others. This story is a bit of an odd one - the central plot follows an unnamed woman who becomes an online wellness cult leader and is told through the perspectives of three outsiders, which is an interesting conceit as, by nature, all three of the narrators paint incomplete and unreliable pictures of the protagonist. My main gripe is with the writing style - the protagonist being unnamed is so unnecessary and makes it annoying to read as the narrators constantly refer to "she" and "her" - it comes acros