As far as film/video archives go a lot of material that resides in National film archives is sourced by amateurs and enthusiast and we have some dome wonderful and consistent (as far as AR is concerned) movies all the way and up to the home video boom of the 80s/90s, i.e. everyone held their camera in landscape mode. Fast forward to the mobile/cell phone era an now we see a lot shot in the DREADFUL portrait mode that takes up just a very narrow slot on ANY TV ‘great’ additions to the national archives these will be along with their artefact, pixelated image that I seven worse than VHS! When will people realise that shooting in landscape mode gives you the best of both worlds and will look better when viewed buy historians in years to come Reply Nowak, Arne (October 2010). "Digital Cinema Technologies from the Archive's Perspective" (PDF). International Federation of Film Archives. p.4 . Retrieved May 16, 2016.

The 4:3 aspect ratio is commonly known as the fullscreen aspect ratio. The 4x3 (1.33:1) format became the first standard ratio for televisions and computer monitors as it was easy to use due to the camera formats. Petrov, Daniel. "So, what is this 2:1 Univisium display ratio on the LG G6 and likely the S8?". Phone Arena. Step 3. After that, a source panel will appear and hit Keep aspect ratio to convert the 4:3 video to the 16:9 video. a b c d "ALEXA Anamorphic De-squeeze". Arri. 2011-07-07. Archived from the original on 2012-03-09 . Retrieved 2014-06-21. would the hat flash not collide with edid flash? and then the hat flash contains a dtbo to configure the dpi+i2c-edid, so it just magically works at every level!

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McElhearn, Kirk (2010-02-01). "Why Apple chose the iPad's screen format". Macworld . Retrieved 2019-07-24. VINTAGE LOOK. I see a lot of people throwing a vintage look on their pictures and videos with no justification to it. I think all vintage looks should be reserved for films that tell vintage stories… Other uncommon 4:3 aspect ratio resolutions includes: 40x30, 160x120, 256x192, 320x240,384x288, 400x300, 512x384, 832x624, 1152x864, 1400x1050, 1792x1344, 1856x1392, 2304x1728, 2560x1920, 2800x2100, 3200x2400, 4096x3072, 2704x2028, 2720x2040, 2732x2048, 4000x3000, 6400x4800. List of 4:3 Resolutions

Owen, Aaron (August 14, 2020). "Things to Consider Before Making a DCP: Aspect Ratio & Frame Size". Cinematiq . Retrieved 28 January 2022. a b Kauffman, Jeffrey (September 19, 2020). " The Wild Goose Lake Blu-ray Review". Blu-ray.com . Retrieved 28 January 2022. The Wild Goose Lake is presented on Blu-ray courtesy of Film Movement with an AVC encoded 1080p transfer in 1.90:1. Set up your monitors, plug them in, and turn on your PC. Voila! A perfectly formed multi-monitor setup! Well, not so fast. Setup is easy, but there are still a couple more steps. Eizo's 27-inch 3K display is perfectly square - Geek.com". Geek.com. 2014-11-20. Archived from the original on 2018-11-30 . Retrieved 2018-11-29. If you don't need the transposer then HVS channel 2 would be available and could be used for a 3rd display.If you’re up for smaller units that may be 5:4 ratio, there’s enough different models that it’s not really worth focusing on a particular model at this point (unless somebody shares a really solid recommendation for something I’m overlooking). But because of the era these were sold, you won’t have to weed through any widescreen models while shopping. For analog projection of photographic slides, projector and screen use a 1:1 aspect ratio, supporting horizontal and vertical orientation equally well. In contrast, digital projection technology typically supports vertically oriented images only at a fraction of the resolution of landscape-oriented images. For example, projecting a digital still image having a 3:2 aspect ratio on a 16:9 projector employs 84.3% of available resolution in horizontal orientation, but only 37.5% in vertical orientation.

With a couple of level shifters on those lines taking I2C to VGA pins 12 & 15, and 5V to VGA pin 9, it would imply that we can drive VGA as Plug'N'PrayI suppose if you are doing a movie in the style of an old Joan Crawford movie from the 30’s or movie like a 50’s TV show then I suppose in those circumstances using old Academy ratio would make artistic sense. TECHNOLOGY. Unless you making a film specifically for a movie theater, you have to consider all kinds of media devices people may watch this film on. And the fact is our modern screens are getting wider and wider. Netflix is most likely to be viewed on wide screen TV. Youtube is often widescreen PC or even wider phone screen. is used by classic 35mm film cameras using a 36mm × 24mm image size, and their digital derivatives represented by DSLRs. Typical DSLRs come in two flavors, the so-called professional "full frame" (36mm × 24mm) sensors and variations of smaller, so called "APS-C" sensors. The term "APS" is derived from another film format known as In the past, many videos and movies were recorded in the 4:3 aspect ratio, so they didn't need to be converted for TV release.

Then, connect the remaining consecutive monitors in a similar fashion using the appropriate DisplayPort In and DisplayPort Out ports of each screen. is a traditional TV display standard, which means the picture is 4 units of width for every 3 units of height. While the 16:9 (1.78:1) aspect ratio is an HDTV screen standard, which means the picture is 16 units of width for every 9 units of height. And HDTV'S 16:9 is 78% wider than its height, allowing bigger pictures to be viewed when compared to the conventional TVs of 4:3 aspect ratio (learn more about Aspect Ratios in Shotkit's guide). Consider the amount of submissions to film festivals in years past as a representation of how the industry has changed over the years – APS and the "-C" refers to "Classic" mode, which exposed images over a smaller area (25.1mm × 16.7mm) but retaining the same "classic" 3:2 proportions as full frame 35mm film cameras. While I will and do love watching old movies and TV series (the bulk of my viewing is of my old favorites, as many new shows are just so bad these days, too much soap!) I feel the experience of a big screen movie needs to be widescreen. It provides more spectacle and depth. The human eye is designed to see peripherals and not just focus on a narrow square in front of you. As for films being only about people… I beg to disagree. Many decently made films actually use the landscape as a character. It is just lazy film-making to ignore the edges of the world.Voyage of Time: The IMAX® Experience in Ultra-Widescreen". IMAX. Dec 7, 2016 . Retrieved April 27, 2018. Funny, you have this strange push for all televisions going to a 21:9 ratio. (2.3:1 ratio) which would severely crop and shrink thousands of 1.375:1 (Any movie before 1954) and the European Standard 1.66:1 ratio movies and television shows. Reply generally read as Four-Three, Four-by-Three, or Four-to-Three) for standard television for fullscreen aspect ratio 1.33:1 has been in use since the invention of moving picture cameras, and many computer monitors used to employ the same aspect ratio. 4:3 was the aspect ratio used for 35mm films in the silent era. It is also very close to the 1.375:1 Academy ratio, defined by the Academy of Motion Picture Arts and Sciences as a standard after the advent of optical sound-on-film. By having TV match this aspect ratio, movies originally photographed on 35mm film could be satisfactorily viewed on TV in the early days of the medium (i.e. the 1940s and the 1950s).